Spring is slow in coming

Spring is slow in coming this year. I sit in the living room early in the morning, early April. Out the window I see blue sky, bright sun. It looks warm but the furnace was on when I got up, there’s frost on the grass, and the rhododendron leaves were curled as they are after chilly nights. The first days of April have been marked by repeated snow, cold winds. This is often the way.

Easter ushered in this wintry pattern. Easter Sunday, I met a friend for a walk under gray skies. Walking and talking with a long time friend seemed like the perfect way to acknowledge the day. I’m never quite sure how to celebrate Easter but always feel the pull to do so. I’m not religious, don’t go to church, but there’s something deeply rooted in me that wants to pause, praise, celebrate. A human need to mark the seasonal shift, celebrate the return of sun and warmth, mark the season of growth and rejuvenation.

And there’s also a pull to tradition. I grew up with new Easter clothes, church, Easter dinner. The first year I lived in my house, the house I bought a few months after my mom died, I invited friends for Easter dinner. Not only was it Easter but also my mother’s birthday, April 3rd. I served the meal on my new dining table, placed near the picture window looking out on the back garden.

I set the table with my grandmother’s china that I’d brought back from my mother’s Plateshouse, fine china, white porcelain with tiny sprigs of pink roses. I bought a pink tablecloth to use with the china, used the sterling I’d also brought from mom’s house. I don’t remember what we ate, I just remember the table set with china and silver, set with nostalgia, set with continuity and memory.

But there was also some way in which that dinner felt like playing dress up. That Easter dinner, with the formal place settings, morphed in subsequent years to a more casual Easter brunch, often on my back porch, glassed in for the spring season, heated with a space heater and guests warned to wear sweaters. This was a potluck meal, served on my everyday stoneware that I bought in a discount store when I tired of eating off of mismatched plates left behind by roommates.

The brunch tradition lasted for a number of years and then ended as people’s lives moved in different directions. Since then I’ve found different ways to mark the new season. Many years I go to a friend’s Passover seder—I appreciate the ceremonial meal, the connection with friends, the deep joy I know my friend feels as he brings friends and family together. A few years I’ve joined another friend for Easter services at a monastery in Vermont. And often all I need is an hour or two raking in the garden, a walk with a friend, a trip to Andrew’s Greenhouse to buy flats of their field grown pansies, which I plant in pots and place by the front door.

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Late February

Late February and changeable weather. Mild days hinting of spring turn overnight into wintry sleet and rain. But one cold, damp, gray morning recently, I stepped out the front door and heard the shift in birdsong that always says “spring.” I’ve been searching the garden beds near the house, looking for those first green nubs thumb_IMG_0884_1024of crocuses and snow drops. Yesterday I spotted about 1/4 inch of tender green foliage —the first sign of early blooming crocuses.

I haven’t posted for several weeks—the world has felt heavy, especially after the Parkland school shooting. I alternate between feeling deep sadness and anger. I read, I absorb, my heart sinks, aches—not again, not again. At meditation group recently, we listened to a guided meditation from Tara Brach, titled Resting in Reality.  “Greet each moment with kindness,” she says.

I find that challenging right now—but as the days move forward I try to travel gently through the world, to rest in this here and now.

As I do, I notice:

The moon between tree branches on a cool, bright late afternoon walk.

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Sun coming in my front window, glinting off a blue pot, blue mug, blue book cover—an accidental still life

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Sensory memory that kicks in when I make bread for the first time in years—the feeling on my hands of sticky, elastic dough as I knead and later punch it down, shape it into loaves; the fragrance of baking; the crumb and taste of the first warm slice slathered with butter.

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The ease that washes over me as I listen to a musical setting of Wendell Berry’s poem “The Peace of Wild Things.

Winter days

Winter days drift slowly. On bright days, sun pours in the front windows of the house IMG_0856and I bask in the light. More frequently, the windows frame a dark green, gray, and white landscape. On the railing out front I’ve placed a blue pot filled with branches of red berries. I put it there wondering if birds would like the berries but they ignore it so I’ve hung a feeder from the plant hook where a fuschia lives in summer.

A week ago we had warm and rainy weather before the onset of cold temperatures again. The accumulated snow from previous storms melted in the rain and I walked around the gardens last Saturday, snipped branches off my discarded Christmas tree and used them to insulate the crocosmia from the predicted low temperatures.

I used to interact with winter more, plunge through the snow to fill distantly placed bird feeders, strap on my snowshoes to explore the field behind the house or rake snow off the roof. But gradually, a combination of aging joints and weather patterns that bring mixed icy precipitation has kept me inside more, viewing the world through glass panes, scurrying from house to car to office or store then car and home.

My only New Year’s intention this year was to show up in my life, but I’m not sure what that means in winter, when the pull is toward hibernation.

I look for things that delight my senses. Hot chocolate made with a dark chocolate cocoa mix and drunk from my red mug. The feel of the cat’s soft fur, her warm body weighting my legs. A dark red poinsettia in a dark blue pot. The smell of a new book when I first open it. The sharp hot bite of chili. Music, like this piece from Caroline Shaw, which both startles and satisfies me.

I saw a short video recently, The Monolith, about the NYC artist Gwyneth Leech and her response to several losses, including a skyscraper being built right outside her studio window, blocking the view that had been inspiring her art for years. She came to terms with the “monolith” by seeing it as colors and shapes and painting all the stages of construction. It’s a story about the creative process, about loss, about life, about showing up.

“…to be alive is something holy, fierce, and precious,” Jena Schwartz writes in a FaceBook post. Through the short winter days and long nights, I try to remember those words.

Finding my way

From my back porch, I see a bank of rhododendrons that have soaked up sun and grown almost as tall as the house. Above the rhododendrons, there’s a strip of blue sky, seen as though looking through a clerestory window. It’s a glorious day. …

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This is the beginning of an essay of mine that was just published by The Sunlight Press . Please go on over to their site and look around.

A good walk

I went for a walk yesterday afternoon at around 5, taking advantage of lingering light at the end of daylight savings time. I tried to stay in the moment as I walked, seeing, noticing—a pattern of fallen leaves on the road, a few quince lingering on a bush and one salmon colored flower, a flame red shrub. But the act of noticing and naming took me out of the moment and I started this blog post in my head. Often as I walk, drive, simply sit on the couch looking out at the trees and sky, words swim in me, swirl, settle, and swirl again.

I set out on my walk planning to goIMG_0802 to the end of the block then turn left and left again and finally home, all on a level route that’s easy on new knees. But at the first turn I looked right and saw the sun bright and golden through a crack in dark clouds and turned toward it, up a hill then down to a road that borders a field and the clouds, streaming sun, distant hills.

It was a good walk, an image and word filled walk if not a mindful walk. I want my days to be full of such moments, weaving in and out of present time, noticing, appreciating, sometimes choosing the harder route, breathing it all in.

How I spent my summer…

Twice this summer parts of my body were cut open, bone was sawed and soft tissue pulled apart to make room for titanium and plastic parts that were hammered and cemented into place, then soft tissue was reassembled, and wounds stitched and glued shut. The only evidence are thin scars that bisect each knee, which will fade in time to slight silvery lines. In our world of increasingly high tech medicine, this is still a brutal and physical surgery, both precise and crude. 

One knee is 13 weeks old and the other is 7 weeks old. At a recent doctor’s visit, the surgeon said I looked “fantastic.” I do errands, tend to easy household tasks, cook meals, meet friends for lunch, walk with a normal gait most of the time. In spite of lingering stiffness and soreness, my knees bend and straighten with increasing fluidity. I still use a cane for longer walks but will probably let that go soon. I need to rebuild strength in my leg muscles, regain stamina and good balance but that will come. 

I take part in an online forum where I exchange updates and rants, commiserations and celebrations with other joint replacement travellers. Our journeys do not proceed in a straight line; instead, they are tangled like a piece of yarn left too long in the knitting bagroad to recovery—up, down, and sideways—days of feeling strong, energetic alternate with days of immense fatigue; pain free knees give way to soreness and swelling; plateaus yield to progress then setbacks and another plateau. Inevitably, emotions follow a similarly tangled trajectory with gratitude and optimism often giving way to tears and frustration. This has been especially true for me after the second surgery as my spirit whines like a tired toddler, “Are we there yet??? Why is this taking so long???”

I recently listened to a friend describe a hike she’d taken earlier in the day—I could imagine the pull on leg muscles, the expansion of lungs, the scent of moist woodsy air, the accelerated heart beat, the sense of achievement. “Just think,” she said, “soon you’ll be hiking too.” I hope so but it feels like a misty dream right now when I measure my walks in feet rather than miles, minutes rather than hours. But I tell myself that despite the slowness of recovery, the end result, if healing continues to go well, are functional joints to replace ones that were no longer reliable–and that’s a wonderful thing. 

Coming home

I always feel relief—I’m almost home!—when I turn onto my street. I drive slowly because there are often kids and dogs playing, people walking. The young boys who live in the house on the left, just after I turn, have set up a small farm stand with a few squash, some ears of corn, an occasional tomato. A neighbor a few houses down has planted lots of flowers in the front—this is a first for them and I love the bright colors. Lawns are starting to show midsummer brown—nobody in this neighborhood has in-ground sprinklers.

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Soon I reach my driveway. One flower bed is filled with phlox, vibrant pinks and soft purples. Another bed has blackberry lilies. I saw a butterfly there the other day–maybe a Swallowtail, although I don’t really know my butterflies. After the bloom passes, the seed pods will form and open to reveal clusters of black seeds that look like large blackberries.

The driveway needs repaving—tufts of grass sprout in the cracks. When I open the car door I hear Old MacDonald Has a Farm ringing out of the front window of my next door neighbor’s house—a piano being played hesitantly and mom singing to her toddler. I smile to myself as I walk down to the mailbox, retrieve my one piece of mail, and head across the lawn to the front door.

The clethra smells sweet after a day in the heat. I put my key in the door and come into the cool living room, put my purse and mail on the table and call for the cat, who usually greets me at the door but is absent today. I go to the kitchen to put something in the fridge and hear her down in the basement. I call again and she rushes up, meowing loudly to let me know she’s starving. I’m home finally, ready to just be for a while.

Sometimes, less is more

“Just a little more. Push it further. Go on. A little more…” This is the refrain from the physical therapist as I work on bending my knee. One more degree of bend, and another, and another as I work toward a magical goal of 120 degrees.goniometer

“You’ll need to work hard at PT,” were the words spoken by just about everyone I told about my pending knee replacement operation. And the expectation is that this will hurt. In the hospital I was offered extra pain meds before PT. When I told the in-home PT that pushing for more flexion was making my pain spike into the 7 to 8 range on that 10 point scale where 10 = intolerable pain, her response was “Good, that’s what should be happening.” Say what??? Her goal is severe pain???

The day after surgery I was strapped into a passive motion machine for an hour which repeatedly bent my newly operated knee to 60 degrees then to 90 degrees, flex and straighten, flex and straighten, over and over. That same day I was wheeled down to the therapy room and put through my paces—ankle pumps, quad sets, and bending. “We want you at 110 degrees of bend before you leave tomorrow,” the therapist said. “And you’re going to lock me up and make me stay if I don’t achieve that?” I thought.

“No pain, no gain.” The warrior’s approach to recovery. This is a very American approach. Push through pain to achieve your goals.

I take part in an international online forum for people who have had knee and hip replacements and from reading other participants’ posts, I’ve discovered a different perspective on recovery.

Yes, keeping the new knee joint moving is essential for a good recovery. But this can be done gently. In the first weeks of recovery, the focus can be on letting traumatized soft tissue heal and moving just enough to keep things from freezing up—bend to the point of pain and slightly beyond then stop.

This seems like such a sensible approach but when I mentioned it to the PT she looked horrified. “You’ll never get flexibility back unless you push hard!” she said.

I’m in my fifth week of recovery. On the days that the PT is here to measure me I push a bit—it’s hard to resist those cries of “just a little more”—but on other days, I follow the gentle approach. I spend a lot of time with my leg elevated and an ice pack on. I stroll around the house and take short walks outside. Every time I get up I spend a few minutes gently bending my leg but never to the point of extreme pain. And with this approach, right on schedule, I reached that magic goal of 120 degrees of bend.

Seems like there’s a life lesson in all of this. I’m reminded of my forays into floor waxing. My house has oak floors and when I first moved in they needed to be waxed regularly (I’ve since had them refinished). I rented a power floor buffer and had to learn just the right amount of pressure to apply to control the machine—too much pressure and it took off across the room at warp speed, dragging me behind and gouging the floor.

Sometimes less is more. Sometimes the motto should be “No pain, more gain.” The trick is knowing when to push through and when to back off and let healing happen.

Recovery land

I’m sitting on the back porch, with my right leg elevated on cushions and an ice pack draped across my newly replaced knee. I’m beginning week four of recovery and hitting all the milestones. Straighten leg—check. Activate quadriceps muscles—check. Bend beyond 90 degrees—check. Walk with a cane and a normal gait—check. Walk without a cane—check. Wean off pain pills so I can drive again—in process.

I tell friends that I’m an impatient patient. But “patient” is the wrong term. We were told in the pre-op class that we should not view ourselves as ill and were encouraged to bring street clothes to wear on the hospital unit. I was up and walking a few steps on day 1, walking up and down the hall on day 2, climbing stairs on day 3, and then sent home to recover.

I don’t feel ill—it’s more a feeling of being suspended in time. This is partly due to pain meds, which make me sleepy, content to mindlessly surf around the Internet and let time drift by.

Or at least that was the case in the first couple of weeks. Now that I’m reducing the pain meds and regaining energy, restlessness has sidled in.

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I’ve been nesting on my back porch daybed, which gives me a limited view of the world—the rhododendrons that flank the east and north side of the porch, an occasional bird that lights there, preens, sings, and flies off. If I turn my head to the left, I see the pink bloom of filipendula, grass, evergreens. Occasionally a critter of some sort scampers through—squirrels, groundhogs, rabbits, one day a spotted fawn. My gardens are blooming and thriving but seen for now from a distance. Soon I’ll venture out for a closer look but that feels like a next week activity.

My days have a rhythm. Morning means coffee and toast, the welcome coolness of morning air, easy contentment as I slowly wake up, maybe write a little, check Twitter, look at an online newspaper, ease into the day.

Afternoons stretch longer and desire clashes with reality. Mind and spirit want to go and do—body is not quite ready.

I pace around my small house. I might venture out for a walk down the driveway, across the street and down a ways, mindful that however far I go, I need to do the same distance on return.

Now, the sun is out and the air is steamy. Ten minutes ago, a thunderstorm raced through, a few loud claps of thunder, brief torrential rain. Another storm is on its way—I hear thunder in the distance. There are lessons to learn about accepting the present moment, whatever that moment brings.

I hear myself thinking, ah, I’m missing out on summer but of course I’m not—I’m just having a different summer than usual. A porch summer, a recovery summer, a summer to ease back into my busy life, slowly, one degree of bend, one step at a time.

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My cruising around the Internet sometimes takes me to delightful places, such as this clip of Natalie Merchant and the Kronos Quartet. Enjoy! https://www.youtube.com/watch?v=Qbxwa_ie3dQ

Listen. Breathe.

On Tuesday, I check into the hospital for knee replacement surgery and my stress levels are rising as I try to finish up at work, get my house and life prepped, go to myriad medical appointments, shop, see friends. Ah…I’m getting breathless just typing all that. Life these days is all about doing and distracting.

I haven’t been spending enough time simply listening to the world around me.

Sunday afternoon. I’m on the back porch, ceiling fan spinning, grackles noisily doing what grackles do, adult voices and kid voices from next door, breeze in the trees.

Silence. Listening. On Twitter earlier this week, a quote from Wendell Berry arrived like a small gift: “Make a poem that does not disturb the silence from which it came.”

I imagine words dropping into a pool, sending out ripples, sinking, disappearing.

IMG_0413A couple of weeks ago, Robert Macfarlane asked: “What is the place or landscape to which you most love listening?”

I immediately thought of Maine, the cottage on Back Cove where my sister and I went for a couple of years, early morning light, distant boat motors, bird call, occasional plop and ripple of water as acorns fell or birds dived for fish.

Or Pemaquid Point, with waves crashing against rocks and gulls calling.

Or here, now, the porch, the trees, the kids, the birds, the cat crying from inside the house, the dog in the distance, sounds of a summer afternoon.

Listen to the small sounds, I tell myself, the here sounds, now sounds, inner and outer sounds.

Be silent, listen, breathe.

Be. Listen. Breathe.